Hypersea

We have been using the Hypersea concept by Mark A. S. McMenamin and Dianna L. Schulte McMenamin as prompts to remember and reimagine. Inviting participants to reconsider their entanglement with water, to recall the partial liquidity of their own bodies, and to sense the connective tissue that water forms across ecosystems.

Reading

Hypersea: Life on Land book cover

Hypersea: Life on Land

Mark A. S. McMenamin & Dianna L. Schulte McMenamin

read →
The Ocean in Excess: Towards a More-Than-Wet Ontology ↗ Astrida Neimanis — Hydrofeminism: On Becoming Body of Water ↗
Esposende coastline sand dunes
We created the glass sculptures working with the materiality of sand as an object of the Hypersea, a point of remembering. Sand is already sea — ground shell and rock and marine sediment gathered by the water — and in melting it into glass we make one more Hypersea gesture: sea-matter changing state, becoming a vessel that can hold field recordings from the Esposende coastline and the stories entangled with sargassum. The sculpture becomes a body of water in another form, a place where the ocean is remembered rather than extracted.
Glass blowing — vessel taking shape Glass blowing — sphere with flame Glass blowing — workshop

glass blown by @berlinglassworks and @vivianestroede

Esposende coastline at dusk